Across the nineteenth century European history, philology, archaeology, art, and architecture turned from a common classical vocabulary and ideology to images of pasts and origins drawn primarily from the Middle Ages. The result was a paradox, as scholars and artists, schooled in the same pan-European vocabularies and methodologies nevertheless sought to discover through them u...(展开全部)

Across the nineteenth century European history, philology, archaeology, art, and architecture turned from a common classical vocabulary and ideology to images of pasts and origins drawn primarily from the Middle Ages. The result was a paradox, as scholars and artists, schooled in the same pan-European vocabularies and methodologies nevertheless sought to discover through them u...(展开全部)

With a lucid and clear narrative style William Chester Jordan has turned his considerable talents to composing a standard textbook of the opening centuries of the second millennium in Europe. He brings this period of dramatic social, political, economic, cultural, religious and military change, alive to the general reader. Jordan presents the early Medieval period as a lost wor...(展开全部)

列昂·普兰廷加（Leon Plantinga），美国当代著名音乐学家，主要研究领域为十八世纪晚期和十九世纪的西方音乐。1959年获得密歇根州立大学钢琴演奏硕士学位，1964年获得耶鲁大学音乐史博士学位。自1963年起任教于耶鲁大学音乐系并曾担任系主任，2005年退休后成为荣休教授，并任耶鲁大学乐器博物馆临时馆长。所著《浪漫主义音乐》长期被作为美国各大高校的标准断代史教科书，此外还著有《批评家舒曼》（1967）、《克莱门蒂：生平与音乐》（1977）、《贝多芬协奏曲：历史、风格、表演》（1999），并发表大量学术论文和深度书评。

Weber himself characterized his first book-translated here in its first, complete English edition-as a study in the "formation of commercial law." Weber's argument centers on the legal characteristics of medieval enterprises as a historical precursor to modern forms of commercial enterprises. Weber emphasizes dimensions of medieval law and practices that are at the root of toda...(展开全部)

Rewriting the Middle Ages in the Twentieth Century offers analytical introductions to the biographical and academic trajectories as well as the scholarly contributions of the most important medievalists of the 20th century, privileging the contexts in which their influential texts in modern medieval studies were articulated and their effect on subsequent approaches to the field...(展开全部)

John Theodore Merz (1840-1922) was an industrial chemist and philosopher who came to Britain from his native Germany in 1867. His life-long work was dominated by the desire to contribute towards the unification of knowledge. Uniting the two cultures of science and the arts, Merz's "History of European Thought in the Nineteenth Century" is an extended survey of the development o...(展开全部)

布莱恩•蒂尔尼（Brian Tierney），1922年生，中世纪史名家。英国剑桥大学博士，先后任教美国天主教大学和康奈尔大学，曾任天主教历史学会主席，荣获中世纪研究哈斯金斯奖章、康奈尔大学Johannes Quasten杰出贡献奖。蒂尔尼尤其擅长教会史研究，有多部名作问世，近作为《自然权利的观念》。 西德尼•佩因特（Sidney Painter，1902－1960），中世纪史名家。美国耶鲁大学博士，先后执教耶鲁大学、约翰霍普金斯大学。佩因特专长12世纪欧洲历史，尤其是英格兰的政治社会史，留有多部中世纪史研究名著。 1953年佩因特出版《中世纪史》一书，广受赞誉。在佩因特过世后，蒂尔尼加以补充和改写，1970年出版《西欧中世纪史》，之后不断增补、修订，至今一直是西方学术界最受重视的中世纪通史。